The content of David Hartt‘s photography in Stray Light, also about location documentation, is aesthetically more palatable, you could even say seductive. His work provides a document of disaster that irradiates how our modern material culture is forever stuck in some plastic purgatory that’s going to be hard to get out of.ĭavid Hartt, Awards Room at the Johnson Publishing Company Headquarters, Chicago, Illinois, 2011 (© NGC) Glasnost saved us from a global moment of disaster but nuclear technology was still devastating for many Russians. David’s work brings back the ghosts of the cold war, the stuff of children’s nightmares and threats of nuclear winters. The discombobulating viewpoint of Isabelle’s photographs drown you. David photographs Chernobyl and Isabelle the dead waters of America.
Isabelle Hayeur, Death in Absentia II, 2011 (© NGC)ĭavid McMillan and Isabelle Hayeur are lesser known but have equally challenging content. He places you at ground zero, he’s like the Weegee of the environmental crime scene and you can’t look away. They are cinematic making you feel a part of the terrain. His command of composition is always breathtaking, even exhilarating because of the scale of the photographs. Now artists like Edward Burtynsky, David McMillan and Isabelle Hayeur scatter themselves across the globe to photograph how human populations are manipulating, extracting and polluting their environments often beyond the point of no return.Įdward’s work is by far the most familiar. I entered the Shine A Light exhibit at a different point each time and each time I was confronted by works that overwhelmed me with a sense of dread. The situation is dire and artists in Canada have responded. The Inuit populations located in Northern Canada are the canaries in the coal mine of climate change. Now the more North you go the more you experience the impact of global warming. The vignette of Lawren Harris’ North Shore, Lake Superior, as seen from the Gallery’s water court and framed by rose granite walls, shares with us a vision of the Great White North as a pristine place. The mentioned track, Hamsafar, which means “Travel Companion” in Farsi is the soundtrack of one of her best-loved movies with the same title as the song.Lawrence Paul Yuxweluptun Red Man Watching White Man Trying to Fix Hole in the Sky, 1990 (© NGC)Ĭanada is known for its tradition of depicting resplendent and majestic landscapes but the inspirational legacy passed down by artists like those in the Group of Seven aren’t echoed by the contemporary artists featured in the National Gallery of Canada’s show of new acquisitions. Since then, she settled in Los Angeles, California and continued her singing profession. It was in 2000 when she finally left her country and showed up on the stage, once again after nearly two decades of silence. Googoosh stayed in Iran and gave up on singing for almost 20 years.
Haida irani songs tv#
Her fame and success reached its climax in the 1970s when she was the female star of cinema, the popular TV presenter, the pop music diva and also the fashion role-model for Iranian women.īy the occurrence of the Islamic revolution in 1979, Googoosh was banned from working, but unlike the majority of the singers who left the country after the revolution, she did not.
Haida irani songs movie#
She appeared in her first movie when she was seven years old that became the beginning of her age-long professional career. Faegheh Atashin, known as Googoosh is a Persian Diva, TV Presenter and Actress born in 1950, in Tehran, Iran. No other Iranian female singer can claim that she was more popular than Googoosh during the 1970s. He left Iran shortly before the 1979 revolution and never came back, but continued singing and composing music until 2003 when he passed away in Los Angeles, California. He is known as the “King of Persian Pop” or the “Sultan of Persian Jazz” and is probably the first Iranian singer to perform pop songs and play the guitar. Vigen Derderian was an Iranian-Armenian singer born in 1929 in Hamedan, Iran.
Her professional life almost ended in 1979 by the Islamic revolution and she passed away in 2004 in Tehran. Although she was a great Persian Classical Music vocalist, she is one of the first artists who welcomed western music styles and contributed to the formation of Iranian Pop Music. She started her singing career in 1943 and was officially employed in the Iranian National Radio in 1945. Bordi Az Yadam which means “you forgot me” in Farsi, is a duet performed around 1957 by two of the Persian Pop Music Pioneers Delkash and Vigen.Įsmat Bagherpor Baboli, known as Delkash, was an Iranian singer and actress born in 1925 in Babol, Iran.